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One can sense violence in Barker's act of creation, which he describes as a physically strenuous and sweaty affair. This painted world of physical deformities and Boschian earthly delights is appropriately rendered in a hyper-tactile impasto technique, with juicy gobs of paint and urgent scratch marks, demanding these works be seen in the flesh. The largest canvases describe ominous, anthropomorphic landscapes with solitary mountains, cathedrals in flames, and black moons.
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Dancing across paper and canvas, one will find monsters and martyrs in all degrees of pain and pleasure, some of them howling like Edward Munch's The Scream. Like his movies and books, Barker's paintings investigate reality, sexuality, and morality. In the early nineties, Barker began expressing his vicious visions in the medium of painting, a selection of which are on view at Packer-Schopf gallery. Gone (2007), suggests to the reader that the book he holds in his hands is possessed. His most recent publication, the hauntingly, self-reflexive Mister B. One of his first novels became the cult horror classic, Hellraiser, adapted and directed by Barker himself. Since the mid-eighties, Clive Barker has concocted intricate, dark fantasy worlds in film and fiction.
#Paintings used in clive barkers undying pdf
Clive also will be in attendance at the Music Box Massacre IV on Saturday,įor more info, visit Click here for the most recent work (in pdf format) Barker is scheduled for 2-5pm visitation with autographsĭon't forget. Original Concept Paintings for the film, Midnight Meat Train, along