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I thought that this information might be useful for others who were interesting in recording their ideas through the use of standardized Tablature. This seemed like a very powerful ally in my studio work with Touchstyle concepts. I now had a Notation/Tab version with an ability to play back the sound. I even took some Tablature written by Frank Joliffe and Trey Gunn, and inserted it in the program. I ran through a variety of testing and it performed very well. After a bit of experimentation, I had a complete system for producing Touchstyle Tablature/Notation in Standard/Classical tuning. My explorations proved to be very successful. So, I decided to see if the program could be customized for Touchstyle guitar. It even gave me the ability to play back the sound so I could hear what I was writing. With GuitarPro 6, I was able produce beautiful notation and Tablature. I found that this was an amazingly easy program to use and operate and that it was able to accommodate fairly radical customization with these South American instruments. While working through a project with the charango and ronroco, I recently purchased a copy of Guitar Pro 6 to see if it would easily allow Tablature to be written for these instruments. I work with a variety of different stringed instruments in my studio. This was cumbersome, but it worked to allow me to document and record my musical ideas. In the past, I’ve had to construct odd mechanisms to make my Tablature possible, sometimes using combinations of Finale, Photoshop, TablEdit, and other digital tools. In my own studio work, I’ve always used some form of Tablature notation to document ideas and preserve compositional arrangements. When one gets used to reading this traditional system, it is very easy to translate complex music to the instrument. This is a system that has been used successfully by many Touchstyle devotees such as Frank Joliffe, Trey Gunn, and others.
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Lines on the lower TAB Staff indicate the Strings of the instrument, while numbers indicate the Fret to be pressed. It uses a staff of standard notation with a secondary staff beneath it portraying the strings of the specified instrument. This particular system combines the use of standard notation with Tablature. The one I find most logical and easy to use is the standard and universal system that has been used historically for stringed instruments such as Baroque and Renaissance guitar, and lute, and is now used extensively in the contemporary world for guitar, mandolin, lute, and bass. There are several systems of Tablature in existence for use in the Touchstyle Guitar world.